William, who is based in Japan says that he creates all of his music by composing it and planning it out on a piano before getting near a computer or synth

He goes on to say “Its not based on any composers’ styles specifically, but I would claim Beethoven as a main inspiration, Dvorak too. I have listened to, studied almost, a lot of classical/baroque/romantic era music over the years, though. However, I don’t think it compares to them and I am not trying to emulate them directly. I just like the idea of making melodically and harmonically beautiful music with the tonal capabilities of synthesizer.  I use analog synths to record Nikmis. Right now I am using a Roland Sh-101 and an MFB kraftzwerg, which is a small semi-modular analog. A couple of years ago I was using a collection of DIY synthesizer modules in frac-rack format. I moved to Japan a year ago and couldn’t take them with me, because although the electronics were well made, the cases were of poor quality. My DAW for mixing, effects, mastering and some sequencing is Jeskola buzz, freeware tracker.”

Below are a couple of Williams tracks, more of which are on his soundcloud page http://soundcloud.com/nikmis
have a listen and enjoy
Nishi by nikmis

Chyup by nikmis

EDITED on 19-Oct-2011

Tomita’s Planets has been re-released on SACD/CD for the 100th Nippon anniversary but rather than just remastering the original, he has remade substantial sections of it. He has taken the best of the original and remade the rest with new instruments, mostly Roland synths including JUPITER-80 / GAIA SH-01,  VP-7, VP-770, SD-50 and his Moog 55.

So whats it like, well after having the album for a while now, at first some of the new sounds did seem a little out of place in parts, this probably becuase I’m so used to listening to the original any changes will stand out. There is a single solo vocal in Venus which is without much reverb compared to Tomita’s original and thus stands out quite a bit but after hearing it now a few times I find that it does work with the rest. Some of the orginal brass has been replaced with what sounds like Roland’s virtually modelled brass from the new Jupiter 80. There is also a bit more of effect processing of some of what sound the original classic Tomita “Boo Baa” Moog vocal sounds as well as others added in Mars which you can hear below. As well as quite a few completely new sounds, Tomita has added an old one but you would only notice it if you have heard the Sound Creature version of the excerpt from the Engulfed Cathedral, where right at the beginning there is a distinctive arpeggio , this has reappeared in the beginning of Mars at 25 seconds in, small detail but I recognised it straight away.

There is a new track called Itokawa and Hayabusa which I have included below which many might consider as an extended filler at 3:25 long and which runs into Saturn but after few listens I find again that it does work with the rest.

All of the tracks on the album have been tweaked with new sounds here and there and cleaned up or are effected original sounds, it sounds is as if it has more bite in areas where the original was a little muted. You still recognise it as Tomita’s Planets as many of the original is still there, it hasn’t been so completely reworked as to be a new version of the old one in same way like Kraftwerk’s “The Mix” was of their original pieces, it’s more of a Planets 2011.

Either way I would still recommend any fan of Tomita’s to get hold of the album as I’m sure they will grow to enjoy it in the same way as the original.

Mars from The Ultimate Planets.

http://www.classitronic.net/wp/wp-content/uploads/2011/09/01_Mars.mp3

Itokawa and Hayabusa, New track from the The Ultimate Planets.

http://www.classitronic.net/wp/wp-content/uploads/2011/09/05_Itokawa and Hayabusa.mp3

The original was released in 1976, though it was banned from sale in the UK for a while because of objections by Imogene Holst. Gustav Holst wrote the music around 1910 but his estate represented by his daughter has been successful in blocking Tomita’s release because they objected to the added material by Tomita and the shorting of the Uranus and Neptune tracks. When interviewed  by Nick Kent about this Tomita replied that he thought the full length versions did not lend themselves well to long synthesizer versions.

Denon originally released a DVD-A 5.1 version of the Planets album in 2003 but it was  region 2 NTSC only and was not released outside of Japan.

What’s also new about this is that it an SACD/CD hybrid, so you can get the full 4 channel surround with the right SACD player and equipment as Tomita originally created it as well as a normal 2 channel stereo CD.

Looking at the Google translation (not brilliant but understandable)  of the Japanese text, it says that this is a culmination of Tomita’s life’s work and  the new track is “Asteroid explorer Hayabusa and Itokawa”.

If you were wondering just what the cover is meant to be, according to the translation it is a “multi-spacecraft structure fish” and was created by Mr. Yoichiro Kawaguchi (Professor, University of Tokyo) .

I got my copy from Far Side Music http://www.farsidemusic.com/acatalog/TOMITA.html as this has the best price I have seen and the service from Paul the owner was excellent.

P.S. It appears that Tomita is planning to release updated versions of Claire De Lune, Pictures at an Exhibition and others so I will be keeping my ears open about that for sure.

I can hardly believe it but Aquarium is to be played on BBC Radio Essex Introducing on 2 Sept 2011 7pm, a show for unsigned acts. Looking at the track listing, mine must be a bit of an inverse culture shock on a show playing the lastest Dub, rap, techno and electronica.

I uploaded the track on the off chance that it might get heard by someone, then they said that it would be the played as the last track of the show, always a good slot to be to first or the last.

So it goes to show that we can get on to major radio stations

EDIT : They actually opened the show with the track and said that is was amazing !, which made my day

Paul has built his Moog 3C replica over the past 15 years and is now turning his talents to recreating pieces from the baroque period as demonstrated by his Sinfonia to Cantata 35 ‘Geist und Seelle wird verwirret’ by J S Bach.

Another excellent piece by Paul, well done.

Paul says that will be putting out more works on to Youtube until he has a CD’s worth of material, just don’t stop there that’s what I say !.

You can see more of Paul’s work on his Youtube channel here http://www.youtube.com/user/cloudhop and read more about him on his bio page here http://www.classitronic.net/wp/2009/07/29/paul-glover-joins-classitronic/